Website of the

Email:	jebarret@glam.ac.uk
Mode:	PhD Part-time
Institution:	Sir John Cass Department of Art, Media & Design, London Metropolitan University
Subject:	Music technology in school education
Supervisor:	Mr Lewis Jones

Ricardo Barros

Email:	rickybarros@aol.com
Mode:	PhD Full-time
Institution:	Music Department, University of Hull
Subject:	The Expression of Passions in Baroque Dance
Supervisors:	Dr Caroline Wood and Dr Graham Sadler

Alan Bartley

Email:	mail@alanbartley.u-net.com
Mode:	PhD Full-time
Institution:	School of Arts and Humanities, Oxford Brookes University
Subject:	The repertoire, performance and reception of chamber music in the suburbs of Edwardian London, 1895-1915
Supervisor:	Dr Christina Bashford

Edward-Rhys Bate

Email:	Bate1e@aol.com
Mode:	PhD Part-time
Institution:	Community and Performing Arts, University of Winchester
Subject:	The life of and enculturation in the music of Welsh composer Karl Jenkins
Supervisor:	Dr Malcolm Floyd

Giles Brightwell

Email:	giles@brightwell.com
Mode:	PhD Part-time
Institution:	Department of Music, Durham University
Subject:	'In search of a nation's music': The role of the Royal College of Music in re-establishing Britain's musical identity, 1883-1924
Supervisor:	Prof. Jeremy Dibble

Alexandra Buckle

Email:	alexandra.buckle@magd.ox.ac.uk
Mode:	DPhil Full-time
Institution:	Faculty of Music, University of Oxford
Subject:	Music in late medieval Warwick
Supervisor:	David Skinner

Hazel Buckley

Email:	hazelbuckley@lineone.net
Mode:	PhD Full-time
Institution:	Department of Music, University of Manchester
Subject:	The Robertson Scrapbook: A Biographical, Contextual and Analytical Study of W. J. Robertson and his Writings as Music Journalist in Manchester 1882-7
Supervisor:	Dr Barry Cooper

Stephanie Burgis

Email:	stephanieburgis@yahoo.com
Mode:	PhD Full-time
Institution:	School of Music, University of Leeds
Subject:	Images of the Middle East in Eighteenth-century Opera
Supervisor:	Prof. Julian Rushton

Robert Burke

Email:	rpb103@soton.ac.uk
Mode:	PhD Full-time
Institution:	School of Humanities, University of Southampton
Subject:	Perspectives on Rock Music (Notions of Value and Meaning in Modern Popular Music)
Supervisor:	Dr Sarah Hill

C

Antonio Cascelli

Email:	ac6@soton.ac.uk
Mode:	PhD Full-time
Institution:	School of Humanities, University of Southampton
Subject:	Schenker's Chopin: the analyses from the Ernst Oster Collection at the New York Public Library
Supervisor:	Dr William Drabkin

Crispin Caunter

Email:	ccaunter@hotmail.com
Mode:	PhD Part-time
Institution:	Sir John Cass Department of Art, Media & Design, London Metropolitan University
Subject:	The Yidaki (Didjeridu)
Supervisor:	Lewis Jones

Gareth Churchill

Email:	garethchurchill@hotmail.com
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	Portfolio of Compositions with commentary
Supervisor:	Dr Anthony Powers

Carrie Churnside

Email:	carriechurnside@hotmail.com
Mode:	PhD Full-time
Institution:	Department of Music, University of Birmingham
Subject:	Sacred Cantatas Printed in Bologna in the Seventeenth Century
Supervisor:	Prof. Colin Timms

Martin Clarke

Email:	m.v.clarke@durham.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Durham University
Subject:	The Relationship of Music and Theology in Early Methodism
Supervisor:	Dr Bennett Zon
Website:	http://www.dur.ac.uk/m.v.clarke/

Phillip Cooke

Email:	CookeP1@Cardiff.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	Portfolio of Compositions with commentary
Supervisor:	Dr Anthony Powers

Liz Cooper

Email:	lizcooper22@aol.com
Mode:	PhD Part-time
Institution:	School of Music, Humanities and Media, University of Huddersfield
Subject:	Opera in Manchester in the Victorian Era, 1837-1901
Supervisor:	Dr Graham Cummings

Ralph Corrigan

Email:	ralphy@tinyworld.co.uk
Mode:	PhD Full-time
Institution:	Department of Music, University of Manchester
Subject:	The manuscript Bologna University 2216
Supervisor:	Prof. David Fallows

John Crewdson

Email:	johnwas@hotmail.com
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	An Evaluative Theory of Music: Investigating the forces that drive us to achieve music in composition, performance and listening
Supervisor:	Prof. Nicholas Cook

D

Matthew Dart

Email:	mathdart@aol.com
Mode:	PhD Part-time
Institution:	Sir John Cass Department of Art, Media & Design, London Metropolitan University
Subject:	The Baroque bassoon: its form, construction, development, acoustics, and playing qualities
Supervisor:	Dr Lewis Jones

Sinead Dempsey

Email:	sinead.dempsey@stud.man.ac.uk
Mode:	PhD Part-time
Institution:	Department of Music, University of Manchester
Subject:	Aesthetic and Ideological trends in the reception of Mendelssohn's orchestral music in mid-nineteenth-century Germany
Supervisors:	James Garratt and Crawford Howie

Joanne Dibley

Email:	jdibley@brookes.ac.uk
Mode:	PhD Part-time
Institution:	School of Arts and Humanities, Oxford Brookes University
Subject:	Music as an academic discipline in British universities c.1890-1935
Supervisor:	Dr Christina Bashford

Sally Drage

Email:	sally.drage@iclway.co.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	The performance practice of English provincial church music c.1700-1850
Supervisor:	Dr Peter Holman

Christopher Dromey

Email:	chris.dromey@tiscali.co.uk
Mode:	PhD Part-time
Institution:	Department of Music, King's College, University of London
Subject:	The Pierrot Ensembles
Supervisor:	Christopher Wintle

E

Sam Ellis

Email:	mup208@bangor.ac.uk
Mode:	MPhil Full-time
Institution:	School of Music, University of Wales, Bangor
Subject:	Evolution and retrospection in the chamber music of Arthur Bliss
Supervisor:	Prof. Bruce Wood

F

Simon Fleming

Email:	simon.fleming@durham.ac.uk
Mode:	PhD Part-time
Institution:	Department of Music, Durham University
Subject:	Music Making in Eighteenth Century Durham City (1710-1811)
Supervisor:	Prof. Jeremy Dibble

Iain Foreman

Email:	iainforeman@soas.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, School of Oriental and African Studies (SOAS), University of London
Subject:	The Culture of Jazz Improvisation, a hermeneutical study
Supervisor:	Keith Howard

Elisabeth Fosbrooke-Brown

Email:	E.Fosbrooke-brown@uea.ac.uk
Mode:	MMus Full-time
Institution:	School of Music, University of East Anglia
Subject:	Social music-making in England
Supervisor:	Dr Jonathan Impett

Lars Franke

Email:	LarsFranke@fsmail.net
Mode:	PhD Full-time
Institution:	School of Humanities, University of Southampton
Subject:	Music as daemonic voice in late 18th- and early 19th-century German culture
Supervisor:	Dr Matthew Head

G

Lorna Gibson

Email:	lorna10015@hotmail.com
Mode:	PhD
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Beyond Jerusalem; Music in the Women's Institute 1919 -1969
Supervisor:	Dr Katharine Ellis

Corissa Gould

Email:	C.J.Gould@rhul.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Aspiring to Manliness: Issues of Masculinity and Imperialism in the Life and Works of Edward Elgar
Supervisor:	Prof. Nicholas Cook

Keith Griffiths

Email:	keith_griffiths@hotmail.com
Mode:	PhD Part-time
Institution:	School of Music, Cardiff University
Subject:	Analysis and tempo fluctuations of Hans Swarowsky; his legacy to conducting in the 21st century.
Supervisor:	Prof. Robin Stowell

H

Merav Rosenfeld Hadad

Email:	mr304@cam.ac.uk
Mode:	PhD Full-time
Institution:	Faculty of Music, University of Cambridge
Subject:	The Arabic Islamic Cultural Influence on the Jewish Paraliturgical Song
Supervisor:	Dr Ruth Davis

Nancy Hadden

Email:	nancy@nhadden.freeserve.co.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	The transverse flute in the 16th and 17th centuries: a history and handbook of performance techniques and repertoire
Supervisor:	Dr Peter Holman

Johann Hasler

Email:	j.f.w.hasler@ncl.ac.uk
Mode:	PhD Full-time
Institution:	International Centre for Music Studies, University of Newcastle upon Tyne
Subject:	An approach to Hermetic composition theory and techniques: Historical enquiry and portfolio of original compositions
Supervisors:	Dr Agustín Fernández and Dr Paul Attinello

Vanessa Hawes

Email:	V.Hawes@uea.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, University of East Anglia
Subject:	The absorption of information-theoretical ideas into music analysis and composition, its roots and influence.
Supervisor:	Dr Jonathan Impett

Catherine Haworth

Email:	mus9cmh@leeds.ac.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	Music, Gender, Film noir: The RKO scores of Roy Webb
Supervisors:	Prof. David Cooper and Dr Rachel Cowgill

Ben Hebbert

Email:	benjamin.hebbert@stx.ox.ac.uk
Mode:	DPhil Full-time
Institution:	Faculty of Music, University of Oxford
Subject:	The English Music Trade c.1647-1720
Supervisor:	Dr Hélène La Rue

Poppy Holden

Email:	Poppy.Holden@newcastle.ac.uk
Mode:	PhD Part-time
Institution:	International Centre for Music Studies, University of Newcastle upon Tyne
Subject:	Border Ballads
Supervisors:	Vic Gammon and Sandra Kerr

Clare Hollier

Email:	chollier@rcm.ac.uk
Mode:	DMus Part-time
Institution:	Music Department, Goldsmiths College, University of London
Subject:	Psychology (with a focus on emotion) and film music
Supervisor:	Dr Aaron Williamon

Norma Hollingsworth

Email:	norma.h@btinternet.com
Mode:	PhD Full-time
Institution:	Music Department, Keele University
Subject:	Religious, national identity and gender in Newman's poem and Elgar's oratorio, The Dream of Gerontius
Supervisors:	Dr Barbara Kelly and Mr J. McLaverty

Maximilian (Max) Holzner

Email:	mch49@cam.ac.uk
Mode:	PhD Full-time
Institution:	Faculty of Music, University of Cambridge
Subject:	French Grand Opéra in Nineteenth-Century London
Supervisor:	Prof. Roger Parker

Ju-Lee Hong

Email:	jl.hong@gold.ac.uk
Mode:	PhD Full-time
Institution:	Music Department, Goldsmiths College, University of London
Subject:	A Case study in Prokofiev's Cello Music
Supervisors:	Dr Stephen Cottrell and Dr Craig Ayrey

Giles Hooper

Mode:	PhD Full-time
Institution:	Music Department, Keele University
Subject:	The social ontology of music
Supervisor:	Dr Alastair Williams

Nigel Horne

Email:	njh@bandsman.co.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	Composition
Supervisor:	Prof. Philip Wilby
Website:	http://www.bandsman.co.uk

Alan Howard

Email:	alan.d.howard@kcl.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, King's College, University of London
Subject:	The Fantasias and Sonatas of Henry Purcell
Supervisor:	Prof. Laurence Dreyfus

Kieran Philip Hulse

Email:	kieran_philip_hulse@hotmail.com
Mode:	PhD Full-time
Institution:	Department of Music, King's College, University of London
Subject:	Fatalisms in nineteenth-century instrumental music
Supervisor:	Prof. John Deathridge

Peter Hunter

Email:	pdh@funkybus.co.uk
Mode:	PhD Part-time
Institution:	Department of Music and Performance, Thames Valley University
Subject:	The Life and Main Published Songs of Robin Milford
Supervisor:	Prof. John Howard

I

Nikolaos Ioannidis

Email:	N.A.Ioannidis@sussex.ac.uk
Mode:	DPhil
Institution:	Music Department, University of Sussex
Subject:	Ancient Greek Music and its Heirs: Reflections of ancient musical theory and practice in contemporary European and Near Eastern traditional music.
Supervisor:	Prof. David Osmond Smith
Website:	http://homoecumenicus.com/ioannidis.htm

K

Paul Kent

Email:	p.kent@hud.ac.uk
Mode:	PhD Part-time
Institution:	School of Music, Humanities and Media, University of Huddersfield
Subject:	British Harpsichord Repertoire: 1714-60
Supervisor:	Dr Graham Cummings

David Key

Email:	amxdmk@nottingham.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, University of Nottingham
Subject:	Dreamscapes and the nocturnal in the music of Benjamin Britten
Supervisor:	Prof. Mervyn Cooke

L

Claire Launchbury

Email:	C.L.Launchbury@rhul.ac.uk
Mode:
Institution:	Department of Music, Royal Holloway, University of London
Subject:	British Promotion of French Music during World War Two: The Case of the BBC
Supervisor:	Prof. Katharine Ellis

Judi Leighton

Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	Madame Vestris and the Royal Olympic Theatre
Supervisor:	Dr Rachel Cowgill

Wen-Chi Lin

Email:	BeccaLin1@yahoo.com
Mode:	PhD Full-time
Institution:	Birmingham Conservatoire, University of Central England
Subject:	The Aesthetics of Improvisation in Frederic Rzewski's solo piano works
Supervisors:	Dr Peter Johnson and Prof. Mark Racz

Nicola Loten

Email:	nicola_jayne@hotmail.co.uk
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	Handel's use of flauto and traverso with particular reference to his chamber music
Supervisor:	Prof. Robin Stowell

Mattias Lundberg

Email:	M.O.Lundberg@liverpool.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, University of Liverpool
Subject:	The Tonus Peregrinus in the Polyphony of the Western Church
Supervisor:	Prof. Michael Talbot

Clare Lyon

Mode:	PhD
Institution:	School of Music, University of Leeds
Subject:	Musical Life in 18th- and 19th-century Chester
Supervisor:	Dr Rachel Cowgill

M

Jen Magson

Email:	maxon@globalnet.co.uk
Mode:	PhD Part-time
Institution:	Department of Music, University of Manchester
Subject:	Acceptance and Approval: George Gershwin and early 20th-century American culture
Supervisors:	Dr Kevin Malone and Prof. David Fanning

David Manning

Email:	davidmanning@postmaster.co.uk
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	Harmony, Tonality and Structure in Vaughan Williams's Music
Supervisor:	Dr Ken Gloag
Website:	http://www.geocities.com/davidjmanning2004

Alice Margerum

Email:	amargerum@hotmail.co.uk
Mode:	PhD Full-time
Institution:	Sir John Cass Department of Art, Media & Design, London Metropolitan University
Subject:	The Distribution, Dispersal, and Decline of the ‘Citole’ in the Latin West, circa 1200-1400
Supervisor:	Lewis Jones

Bryan Marshall

Email:	bryanmarshall75@hotmail.com
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	The representation of subjectivity in the music of Charles Ives
Supervisor:	Dr Ken Gloag

Melanie Marshall

Email:	ml.marshall@ucc.ie
Mode:	PhD Full-time
Institution:	School of Humanities, University of Southampton
Subject:	Cultural codes and hierarchies in the mid-cinquecento villotta
Supervisor:	Dr Laurie Stras
Website:	http://www.music.ucc.ie/mlm/

Karen Elisabeth McAulay

Email:	K.McAulay@rsamd.ac.uk
Mode:	PhD Part-time
Institution:	Department of Music, University of Glasgow
Subject:	Scottish music collecting (1801-1878) and the shaping of Scottish music history
Supervisor:	Dr Warwick Edwards

Sue Miller

Email:	suem@charangadelnorte.co.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	The creative process of improvisation in Cuban Charanga performance, with a specific focus on the work of Richard Egües and Orquesta Aragón
Supervisors:	Dr Kevin Dawe and Dr Luke Windsor

Rachel Moore

Email:	R.A.Moore@rhul.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Nadia Boulanger and the International Dissemination of Neoclassicism
Supervisor:	Dr Katharine Ellis

N

Paul Nash

Email:	muxpn@bristol.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, University of Bristol
Subject:	Sacralizing Secular Society: Musical Theatre as Liturgy
Supervisor:	Prof. Stephen Banfield

P

Mekala Padmanabhan

Email:	amxmp1@nottingham.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, University of Nottingham
Subject:	Joseph Haydn's German Lieder: Context - Criticism - Reception
Supervisor:	Philip Weller

Tom Pankhurst

Email:	tompankhurst@schenkerguide.com
Mode:	PhD Part-time
Institution:	Department of Music, University of Manchester
Subject:	A Schenkerian/Semiotic Approach to Tonality in the Music of Cark Nielsen
Supervisor:	Dr David Fanning
Website:	http://www.schenkerguide.com

Christopher Parker

Email:	Christopher.Parker@dur.ac.uk
Mode:	PhD Part-time
Institution:	Department of Music, Durham University
Subject:	The life and works of Frederic H. Cowen (1852-1935)
Supervisor:	Dr Jeremy Dibble

Richard Piatak

Email:	musrdp@leeds.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, University of Leeds
Subject:	Studies in the film soundtracks of Derek Jarman
Supervisor:	Dr Rachel Cowgill

Andrew Pink

Email:	mup01agp@gold.ac.uk
Mode:	PhD Part-time
Institution:	Music Department, Goldsmiths College, University of London
Subject:	Freemasonry and musical culture in eighteenth-century Britain
Supervisor:	Prof. Simon McVeigh

Luís Pipa

Email:	lpipa@iec.uminho.pt
Mode:	PhD Full-time
Institution:	School of Music, University of Leeds
Subject:	The Piano Music of Vianna da Motta and Related Repertoire
Supervisor:	Prof. Graham Barber

Adrian Powney

Email:	adecpuk@yahoo.co.uk
Mode:	PhD Full-time
Institution:	Birmingham Conservatoire, University of Central England
Subject:	Finding the Time: Aspects of Time Signatures and Tempo in the Music of Marc-Antoine Charpentier
Supervisors:	Dr Shirley Thompson and Prof. Ronald Woodley

Debra Pring

Email:	recorderplayer@hotmail.com
Mode:	PhD
Institution:	Music Department, Goldsmiths College, University of London
Subject:	The role of the recorder as a symbol in Vanitas art
Supervisor:	Mr Anthony Pryer

R

Michael Robertson

Email:	mnrbp@clara.co.uk
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	The consort suite in the German speaking lands, 1660-1710
Supervisor:	Dr Peter Holman

Ann Royle

Email:	a.l.royle@leeds.ac.uk
Mode:	PhD Full-time
Institution:
Subject:	The Life and Career of Sir Henry Rowley Bishop
Supervisor:	Dr Rachel Cowgill

S

Florian Scheding

Email:	f.scheding@rhul.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Mátyás Seiber: life, work, exile
Supervisors:	Dr Erik Levi and Dr Rachel Beckles-Willson

Peter Scott

Email:	p.j.d.scott@durham.ac.uk
Mode:	PhD Part-time
Institution:	Department of Music, Durham University
Subject:	Ottaviano Petrucci's Lamentationum liber primus and liber secundus (1506/1 and 1506/2); a bibliographical, contextual and analytical study.
Supervisor:	Dr Fabrice Fitch

Nicola Jane Smith

Email:	N.J.Smith@pgr.salford.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, Media and Performance, University of Salford
Subject:	Northern Soul: Identity, Subjectivity and Music Cultures
Supervisor:	Prof. Derek Scott

Helen Smithson

Email:	hs794@student.open.ac.uk
Mode:	PhD
Institution:	Music Department, Open University
Subject:	Handel's Singers of the 1730s and 1740s
Supervisor:	Prof. Donald Burrows

John Stevens

Email:	john.stevens@uea.ac.uk
Mode:	PhD Part-time
Institution:	School of Music, University of East Anglia
Subject:	The absorption of seconda prattica techniques within English sacred vocal music during the seventeenth century
Supervisor:	Prof. Peter Aston

Frederick Stocken

Email:	Frederick.Stocken@btinternet.com
Mode:	PhD Full-time
Institution:	Department of Music, University of Manchester
Subject:	The Context and Significance of Simon Sechter's Fundamental Bass Theory
Supervisor:	Dr Crawford Howie

T

Louisa Tsougaraki

Email:	musslt@leeds.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, University of Leeds
Subject:	Spiritual Conflict in Mahler's First and Second Symphonies
Supervisor:	Prof. Julian Rushton

Jonathan Tyack

Email:	J.R.Tyack@rhul.ac.uk
Mode:	PhD
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Rehabilitating the Canon: A History of Handel's Messiah in Performance
Supervisor:	Prof. Nicholas Cook

V

Eneko Vadillo-Perez

Email:	vadillo@vnet.es
Mode:	MMus Full-time
Institution:	Royal College of Music
Subject:	Feria and Cantigas: rotated cycle of thematic-identities and textural transformation in Magnus Lindberg's late orchestral music
Supervisor:	Julian Anderson

Poly Victoros

Email:	p.victoros@rhul.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	The promotion, popularisation and consumption of classical music since the 1990s
Supervisor:	Prof. Nicholas Cook

Cesar Villavicencio

Email:	cevill@yahoo.com
Mode:	PhD Full-time
Institution:	School of Music, University of East Anglia
Subject:	Rhetoric and the Discourse of Free Improvised Music
Supervisor:	Dr Jonathan Impett
Website:	http://www.cevill.com

W

Claire Walsh

Email:	c.l.walsh@durham.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Durham University
Subject:	British representations of non-European musicians in the other popular arts in the long nineteenth century, with a focus on H. Rider Haggard and issues of orientalism, gender and sexuality
Supervisor:	Dr Bennett Zon

Naomi Waltham-Smith

Mode:	PhD Full-time
Institution:	Department of Music, King's College, University of London
Subject:	Adorno's Augenblick and the Ethics of late Beethoven
Supervisor:	Dr Daniel Chua

Vicky Ward

Email:	vicky@vward.plus.com
Mode:	PhD Part-time
Institution:	School of Music, University of Leeds
Subject:	The Performance Teacher as Music Analyst; Ways of bridging the gap between performance and analysis
Supervisor:	Dr Luke Windsor

Cecilia Wee

Email:	ceciliawee@hotmail.com
Mode:	DPhil Part-time
Institution:	Music Department, University of Sussex
Subject:	The relationship between acts of performance and traces of performance in experimental music and performance art from 1950-1985
Supervisors:	Prof. David Osmond-Smith and Dr Paul Davies

Christopher Wiley

Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	Rewriting Composers' Lives: critical historiography and musical biography, 1850-1950
Supervisor:	Prof. Katharine Ellis
Website:	http://www2.rhul.ac.uk/~pkwm049/

Celina Wood

Email:	Celina.Wood@rhul.ac.uk
Mode:	PhD Full-time
Institution:	Department of Music, Royal Holloway, University of London
Subject:	ierre Boulez: Compositions and Discourse at the Turn of the Century
Supervisor:	Prof. Jonathan Dunsby

Andrew Woolley

Email:	mus0alw@leeds.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, University of Leeds
Subject:	Harpsichord Music and Music Teaching in England c.1660-c.1730
Supervisor:	Dr Peter Holman

Kris Worsley

Email:	kris.worsley@ukonline.co.uk
Mode:	PhD Full-time
Institution:	Department of Music, University of Manchester
Subject:	The influence of Christian Gottlob Neefe on Ludwig van Beethoven
Supervisor:	Dr Barry Cooper

Carys Wyn Jones

Email:	jonescw2@cf.ac.uk
Mode:	PhD Full-time
Institution:	School of Music, Cardiff University
Subject:	Canon in Popular Music
Supervisor:	Dr Kenneth Gloag

Y

Susan York

Email:	susan.york@btopenworld.com
Mode:	PhD Part-time
Institution:	Music Department, Open University
Subject:	Social networks and popular music-making in 19th-century Bedfordshire
Supervisor:	Prof. Trevor Herbert

Further Links

Royal Holloway's Golden Pages

Archive of Dissertation Abstracts in Music

Submit your listing

Add or change your entry in the research stduetns register

RMA: Home - Contacts

Corrections or additions? Contact the website editor.