What is the RMA?
The Royal Musical Association is the foremost society in the UK dedicated to the study of music.
Our many conferences and study days engage with music of all kinds on many levels. Three regular publications – the Journal of the Royal Musical Association, the RMA Research Chronicle and the RMA Monographs series – are part of our wide-ranging organization. We offer prestigious awards for outstanding scholarly achievement as well as grants and training opportunities for young scholars.
The RMA is a hub for other national and international organizations concerned with the study of music. Enjoy exploring the RMA website and contact us if you want to know more.
Equality and Diversity
The Royal Musical Association promotes diversity and equality in respect of race, gender, and any other characteristic by which people identify themselves or are identified by others. The encouragement of such diversity is an explicit goal in the development of membership, the selection of candidates for elected or remunerated office, the consideration of candidates for awards, the consideration of submissions for presentation at RMA conferences or for publication, and in every other aspect of the Association’s activities.
The Royal Musical Association was founded in 1874 ‘for the investigation and discussion of subjects connected with the art and science of music’, and its activities have evolved to embrace every conceivable aspect of music research, whether expressed in words, notation or sounds. The Association aims to sustain and enhance musical culture in the United Kingdom, while liaising with other subject organisations at home and abroad where appropriate and recognizing outstanding scholarly and creative achievement by individuals worldwide. It further aims to support the education and training of emerging scholars and practitioners.
The Association’s chief activities in pursuit of these aims are the promotion of conferences, symposia, study days, workshops and other public meetings; the publication and dissemination of books, journals, and other outlets for research of international standing; the sponsorship of awards and prizes; the advocacy of musical studies with public and private policy-making bodies, and with repositories of musical resources; and engagement with the student body in the United Kingdom.