The RMA puts on Research Skills and Training events for the benefit of its members, to meet the needs of research students and early career researchers in becoming well-rounded music researchers. You can find listings of upcoming events as well as an archive of past events and additional resources. Please contact the Research Skills Officer (Núria Bonet) if you wish to put on event or suggest a potential topic.
Upcoming Research Skills and Training events
Saturday 12 May 2018
– Study Day on topics around the use of music for well-being and mental health, and well-being and mental health for musicians, music researchers and academics.
Sunday 13 May 2018
– Workshop day on topics around the use of music for well-being and mental health, and well-being and mental health for musicians, music researchers and academics.
The final programme and useful information can be found here: WB_MH_Information_Pack
The report can be found here.
RMA Careers Event – Canterbury Christ Church University – 1 June 2018
Part of ‘Multimodality in the Arts: interdisciplinary practices and hybrid forms’
Three music professionals will discuss their jobs and career paths and give research students the opportunity to discuss their own career. There will also be a session on self-promotion and marketing, and 1:1 sessions.
With Heather Roche, Robert Rawson, Cevanne Horrocks-Hopayian and Lisa Busby.
Find the programme here.
Past Research Skills and Training events
- BFE/RMA Research Students’ Conference – The University of Huddersfield – 4-6 January 2018
Friday 5 January 2018:
– The British Music Collection and archival sources for musical research (Robert Adlington and Sarah Wickham) – Heritage Quay
– Yoga, mindfulness, and music (Julio d’Escrivan) – CAM1/14
– Emprirical methodologies for musical research (Steven Jan and Kagari Shibazaki)
– Writing applications for grants and funding schemes (Sally Pedley)
Saturday 6 January 2018:
– Music editing workshop (sponsored by the New Berlioz Edition Trust
– Conference presentations: making research accessible to your audience (Elizabeth Fairweather)
– Improvising to film (Jonathan Best)
– Short mentoring appointments available for students interested in music editing or publishing, with members of the New Berlioz Edition Trust and Music Publishers Association
British Library PhD Research Placements – Deadline 19 February 2018
The British Library is offering placements for PhD students intended to provide opportunities to apply and enhance research, communications and analytical skills and expertise outside of Higher Education as part of their wider research training and professional development. This includes a potential project on “Exploring music archives of 20th-century British composers”.
Composition Workshop – Canterbury Christ Church University – 2 March 2018 RESCHEDULED
Friday 2 March 2018
RMA student members are invited to attend and participate in this exciting composition workshop. The Assembly Project will be performing the lunchtime concert on the Friday of Performance Week, in memory of Sir Peter Maxwell Davies. Afterwards, the quartet of violin, flute, clarinet, cello will stay to perform in a public workshop (2.30-4.30pm) at which student compositions will be played through and critiqued in a supportive atmosphere. This is a priceless opportunity to have have a superb professional quartet play through and improve your work.
Find full details on how to apply here. The deadline for completed scores is 16 February 2018.
Claude Debussy in 2018: A Centenary Celebration – Royal Northern College of Music and the University of Glasgow – 19-21 March and 22-23 March 2018
Tuesday 20 March 2018
– Composition workshop: Musical Borrowing – Sources of Creativity
Composition workshop day on the use of existing music in compositional practice.
1st morning session: Presentations by composers Mark Dyer, Bruno Heinen, Elspeth Brooke and Núria Bonet
2nd morning session: Finding and using sources with Debussy and musical sources specialists
Afternoon session: Composition workshop of sketches by Stephen Coyle, Alexander Glyde Bates, Mark Dyer and Núria Bonet