The international conference ‘Intersections: Between Music and Theatre in Seicento Italy’ was held on the 20th and 21st of September 2018 at the University of Cambridge. Interdisciplinary in nature, the […]
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Conference Report: 20th Biennial International Conference on Nineteenth-Century Music, 2–4 July 2018, Huddersfield
Nearly 150 participants descended on an unexpectedly sun-drenched West Yorkshire for the 20th Biennial International Conference on Nineteenth-Century Music at the University of Huddersfield, from 2 to 4 July 2018. […]
Read moreConference Report: Music, Medievalism, and Modernism, 27-28 June 2018, Huddersfield
It is a sort of common wisdom for us to say that the past ought to inform the future. Lest, of course, we be—as the now somewhat cliché Santayana quote […]
Read moreConference report: Music and/as Process: Music and Language, 29 Jun-1 July 2018, Edinburgh
The 6th Annual Music and/as Process conference was held in the attractive and amiable city of Edinburgh in the Merchiston campus of Napier University from June 29th until and July […]
Read moreConference Report: A ‘Musical League of Nations’: Music Institutions and the Politics of Internationalism (London, 29–30 June 2018)
This two-day symposium was organised by Sarah Collins (University of Western Australia), Barbara Kelly (Royal Northern College of Music) and Laura Tunbridge (University of Oxford), and focused on internationalist musical […]
Read moreRMA to help the Royal Netherlands Musicological Society to celebrate its 150th birthday
At the age of 150, the Royal Netherlands Musicological Society (KVNM) is the oldest musical learned society in the world. As part of its anniversary celebrations it is hosting a […]
Read moreConference Review: “Queerness, Voice, Embodiment”, 2nd Symposium of the LGBTQ+ Music Study Group
The symposium “Queerness, Voice, Embodiment” took place from 20th to 21st April 2018 at Maynooth University. It was the second annual symposium of the LGBTQ+ Music Study Group, an organization […]
Read moreConference Review: Representations of Early Music on Stage and Screen (REMOSS)
On 15 and 16 June 2018, the Representations of Early Music on Stage and Screen (REMOSS) study group held their fourth annual conference at the University of Edinburgh. As in […]
Read moreConference Review: Rethinking Musical Transcription and Arrangement
“Rethinking Musical Transcription and Arrangement” brought together approximately 40 scholars, researchers, and students from the U.K., Europe, and United States for a one-day conference at the University of Cambridge on […]
Read moreConference Review: Claude Debussy in 2018: A Centenary Celebration
Debussy Perspectives, 1918-2018 Debussy’s Late Work and the Musical Worlds of Wartime Paris This conference, from 19 to 23 March 2018, welcomed delegates from at least 12 countries and several […]
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