The 7th Biennial Conference of the Music and Philosophy Study Group once again heralded a coming together of philosophers, musicologists, musicians, and artists. The conference aimed to understand, and possibly […]
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Registration Open: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University
Call for Papers: Birmingham Baroque, 19th Biennial Conference on Baroque Music, Royal Birmingham Conservatoire, 15-19 July 2020
Conference Report: Music and Visual Culture in Renaissance Italy, 13–15 June 2019, Sheffield
The Music and Visual Culture in Renaissance Italy Conference was held at the University of Sheffield from Thursday 13th June to Saturday 15th June 2019. The event brought together an […]
Read moreCall for Papers: Imperfection as an Aesthetic Idea in Music: Perspectives from Musicology and Artistic Research (6-7 May 2020, Graz, Austria)
https://musikaesthetik.kug.ac.at/fileadmin/media/institut-14/Dokumente/Downloads/ImperfectionConferenceCFP_KunstuniGraz_LongerVersion.pdf
Read moreCall for Papers: Iconography as a Source for Music History, 9 November 2019 in London
Call for Papers for edited volume: Christian Music Traditions in the Americas
Conference Review: Again & Again: Musical Repetition in Aesthetics, Analysis, and Experience, 25-26 April 2019, London
On 25 and 26 April 2019, the City, University of London Music Department hosted ‘Again & Again: Musical Repetition in Aesthetics, Analysis, and Experience’: a two-day international conference investigating the […]
Read moreConference review: The Art Song Platform: Traditions and Current Practices, 10 May 2019, Goldsmiths, University of London
This study day gathered together academics, performers and composers engaged in art song, with presentations covering topics from history of art song and analysis to issues of programming of art […]
Read moreConference report: The Classical Musician in the 21st Century, 23 May 2019 in Cambridge
This stimulating study day—kindly supported by the RMA and hosted at the Faculty of Music, University of Cambridge—revolved around the notion of the ‘portfolio musician’, an issue relevant to almost […]
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