Study Day on Music and Health – Call for Papers
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Conference Report: Music and the Internet, BFE/RMA Study Day, December 2018 in Oxford
The 2018 British Forum for Ethnomusicology & Royal Musical Association Joint Study Day took place on Saturday 8th December 2018 at the Faculty of Music, University of Oxford. The theme […]
Read moreCall for partners/hosts for the RMA Annual Conference September 2022
The Royal Musical Association invites expressions of interest from UK universities and conservatoires in hosting the RMA Annual Conference in September 2022. The Association values its conference partnerships with host universities and conservatoires across […]
Read moreRMA response to the cOAlition S Implementation Guidance on Plan S
Plan S is an initiative for Open Access publishing supported by cOAlition S, an international consortium of research funders. cOAlition S have recently published implementation guidance for consultation. The response […]
Read moreConference Review: EMR and the Church, Durham University, 5 Nov 2018
A one-day conference entitled EMR & the Church was hosted at Durham University on the 5th of November 2018. The aim of the conference was to promote and disseminate scholarship […]
Read moreCall for Papers: The Classical Musician in the 21st Century, an RMA Study Day, 23 May 2019 (deadline 22 Feb)
Statement from the President on Conduct at RMA Conferences
I wanted to bring members of the Association up-to-date with our latest deliberations on an RMA Code of Conduct, following discussions at Council and at the last AGM. Firstly, for […]
Read moreCall for Proposals: The Art Song Platform: Traditions and Current Practices, 10 May 2019, Goldsmiths, University of London
Call for Papers: Algorithmic Music: Value, Creativity and Artificial Intelligence, 11 April 2019 in London
Hosted by Department of Music and the Department of Digital Humanities, King’s College London New digital technologies—particularly the algorithms of streaming platforms such as Spotify—are having an unprecedented and little-understood effect […]
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